Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
Despite a post-pandemic bull-run, both the national and international economy are now stalling. Interest rates are going up. Markets are going down. Inflation seems unstoppable. While many factors are to blame for the rising cost of living, a catalysing force continues to be our response to the war in Ukraine.
As commodity prices and inflation soar in the ‘real’ world we may be witnessing a prelude to another 2008-style crisis triggered by the foreign exchange markets. The risks certainly look similar and can be described with a simple question. Can the fictions produced by out-of-control financial actors survive reality?
In our culture, Easter celebrates the benignity of the ordinary. It is a time for getting together with family, for going away to bush or beach, and in southern states a time of mild weather ideal for watching big football matches and other sport. The important question raised now by Easter is whether the meanings of Australian Easter, and indeed those available to our secular society, have the depth needed to handle our present predicaments.
As part of the 30th anniversary of Eureka Street, we're running conversations with the team who first started the publication in 1991, alongside various people who have played a part in the Eureka Street story. In this video, Eureka Street editor David Halliday speaks with Ray Cassin.
The university campus is really the ideal place to tackle thorny issues. It is a safe place to examine all ideas, even — or perhaps especially — those that people find offensive or disturbing. The sad fact, though, is that there is a push these days to send the opposite message to students — that they should be shielded from intellectual discomfort.
The Australian Government’s decision to buy nuclear-powered submarines has brought to the surface once again big questions around how governments should spend money, particularly during a pandemic. The Government has ditched a $90 billion plan for French submarines in favour of even more expensive boats from the United Kingdom or the United States.
Clive Palmer is one Australian wanting to smash border restrictions during this time of pandemic. He is threatening to go back to the High Court seeking recognition of his right as an Australian citizen to travel freely between the States. In particular he claims the right to enter Western Australia where he has significant mining interests.
Due to the impacts of colonisation which have led to everything from loving intermarriage to acts of sexual violence, most Aboriginal people have non-Indigenous relations. Most of these people have, at some time or another, experienced racism within their extended family.
The controversy over the shares of US video game company GameStop has again exposed what has long been obvious: there is something seriously rotten in the state of the world’s financial markets. It was a battle between a hedge fund, Melvin Capital, which manages $US13 billion, and a small group of ‘amateur’ investors who communicated with each other on a Reddit forum called WallStreetBets.
Last year, two documentaries regarding the Adam Goodes booing fiasco were released mere weeks apart: Shark Island Productions’ The Final Quarter and Madman Films’ The Australian Dream, anchored by Stan Grant. Given the topic and timing of both of the films, I couldn’t help but compare the two films as an Aboriginal viewer who spends a lot of time dissecting Australia’s racism in her own analysis. As I watched both of them, my reaction to each was markedly different.
The modern 'old maid' is no longer confined to the attic. She's in the workforce, the senate, leading in the community. Yet while gender norms are being deconstructed and cultural ideas of femininity are evolving, the idea women exist only to procreate still persists. Women are not only supposed to have children, they're supposed to want to.
As fires obliterated large swathes of Australia, I was largely oblivious to the news — though tenuously connected to events as I travelled through oven-hot, tinder-dry national parks in Southern Africa. It was only when I reached the airport in Johannesburg that the extent of the catastrophe became apparent to me.
13-24 out of 200 results.